Edmund Campion’s music explores relationships between sound and space—creations that often involve the careful mixing of acoustic instruments with emerging computer technologies. Born in Dallas, Texas in 1957, he studied composition at the University of Texas and Columbia University followed by several years in France working with composer Gérard Grisey. In 1993 he was selected to work at IRCAM where he composed the piece Losing Touch, now a mainstay in the repertoire for percussion and electronics. He has been commissioned by major American and French cultural institutions including, IRCAM, Radio France, the French Ministry of Culture, the Fromm Foundation, and the Koussevitzky Music Foundation. In 1995, Hillary Clinton presented him with the Rome Prize in Music Composition. His works are heard in concert halls worldwide and a monograph CD by the San Francisco Contemporary Music Players is available on Albany records. Les Percussion des Strasbourg sextet released a recording of Wavelike and Diverse on their 50th Anniversary CD collection.
As a 2016 Guggenheim Fellow, Mr. Campion composed for the Contemporary Gugak Orchestra, an ensemble of 50 musicians performing on ancient Korean instruments. In 2015, the Ensemble Intercontemporain co-commissioned Campion and audiovisual artist Kurt Hentschläger for the 25-minute, Cluster X. The multi-media work was premiered at the Philharmonie de Paris in October of 2015 and toured the United States. In 2012, while Composer in Residence with the Santa Rosa Symphony, Campion was commissioned for The Last Internal Combustion Engine, written for full orchestra, Kronos Quartet and electronics.
Oberlin College & Conservatory - BM (Music Composition), University at Buffalo - PhD (Music Composition)
Daniel Gostelow is a composer, music educator, and Visiting Assistant Professor in the Department of Music at University at Buffalo (State University of New York). As a composer, Daniel’s music has been performed by critically acclaimed ensembles such as the Arditti Quartet, Ensemble Court-Circuit, Ensemble Linea, and Hanatsu Miroir. His music is characterized by its vigorous physicality and emotional overflow, by an underlying romanticism presented through a surface of twentieth century musical idioms. A highly diversified teacher, Daniel has taught extensively in the areas of music theory, music history, composition, general arts, and piano. In addition to teaching at the university level, he has extensive experience instructing children ages 5-12, having previously been on the faculty of the Buffalo Community Music School.
Daniel received his undergraduate education at Oberlin College and Conservatory, studying with Lewis Nielson and Daniel Tacke. He recently received his Ph.D. in music composition from University at Buffalo (State University of New York), studying primarily with David Felder.