Illustration: Nikas Elmehed
Discover the profound literary contributions of Han Kang, recipient of the 2024 Nobel Prize in Literature and the first South Korean and Asian woman to receive this prestigious honor. This symposium celebrates Han Kang’s body of work, renowned for its poetic exploration of South Korea’s history, empathy and philosophical reflection.
Registration closes on Sunday, March 23.
John J. Wood is Senior Associate Vice Provost of International Education at the University at Buffalo. He is responsible for administering UB’s international partnerships and programs.
Elizabeth Otto is Director of the Humanities Institute and Professor of Modern and Contemporary Art History at the University at Buffalo. She is the author or co-author of "Haunted Bauhaus: Occult Spirituality, Gender Fluidity, Queer Identities, and Radical Politics" (MIT Press, 2019), "Bauhaus Women: A Global Perspective" (Bloomsbury, 2019), and "Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt" (Bauhaus-Archiv Berlin, 2005). Her curatorial work includes the 2024 German exhibition “Bauhaus and National Socialism” and its catalogue. Otto is the recipient of grants and fellowships from institutions including the Center for Advanced Study in the Visual Arts, the Getty Research Institute and the US Holocaust Memorial Museum.
“The Gold Thread Between Our Hearts:” An Analysis of Han Kang’s 2024 Nobel Lecture
Hye Seung Chung is an Associate Professor of Korean Film and Media in the Department of Media Study at the University at Buffalo. She is the author or co-author of "Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance" (Temple University Press, 2006), "Kim Ki-duk" (University of Illinois Press, 2012), "Movie Migrations: Transnational Genre Flows and South Korean Cinema" (Rutgers University Press, 2015), "Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations" (Rutgers University Press, 2020), "Movie Minorities: Transnational Rights Advocacy and South Korean Cinema" (Rutgers University Press, 2021), and "Cinema under National Reconstruction: State Censorship and South Korea's Cold War Film Culture" (Rutgers University Press, 2024).
“Remembering Gwangju: May 18, 1980 in Historical Perspective”
Mark A. Nathan is an Associate Professor in the Department of History and Director of the Asian Studies Program at the University at Buffalo. He is the author of "From the Mountains to the Cities: A History of Buddhist Propagation in Modern Korea" (University of Hawai`i Press, 2018), and the co-editor "Buddhism and Law: An Introduction" (Cambridge University Press, 2014). His work focuses on the history of Buddhism and religion in twentieth-century Korea, religious pluralism and propagation, and the intersection of law and religion.
“Narrating Trauma: The Many Voices of Han Kang's Human Acts”
Walter N. Hakala is an Associate Professor in the Department of English and Asian Studies Program at the University at Buffalo. He is the author of "Negotiating Languages: Urdu, Hindi, and the Definition of South Asia"(Columbia University Press, 2016; Primus, 2017) and has published articles on coffee in 18th-century Delhi, language in Afghanistan, and South Asian lexicography. His current project is a survey of Urdu epigraphy.
Chapter 2: “The Boy’s Friend, 1980” from Human Acts
Written by Han Kang, Translated by Deborah Smith
Narrated by Raymond J. Lee
Feeling the Pain of Others: Nobel Laureate Han Kang’s Literature
Yoon Sun Yang
Associate Professor, Department of World Literatures & Cultures, Boston University
An interactive discussion with event speakers, followed by an audience Q&A session.
A buffet reception with food, beverages, and engaging conversation will follow the symposium at 7 p.m. All attendees are warmly invited to join.
Professor Yoon Sun Yang is an Associate Professor of Korean and Comparative Literature and of Women’s, Gender, and Sexuality Studies at Boston University. Her book “From Domestic Women to Sensitive Young Men: Translating the Individual in Early Colonial Korea” (Harvard University Press, 2017) received the James B. Palais Book Prize of the Association for Asian Studies in 2020.
Hosted by: Department of Media Study
Sponsors: Humanities Institute, Office of International Education, the Korean Language and Culture Fund, Asia Research Institute, Asian Studies Program, Department of Comparative Literature and Department of English