PhD, City University of New York

Brian Moseley joined the music theory faculty at UB in 2014, and held previous teaching appointments at Furman University (2010–2014) and Brooklyn College (2008–2010). He completed his Ph.D. at the Graduate Center of the City University of New York in 2013, where he wrote a dissertation under Joseph N. Straus that explored musical cartography as way to describe form in the music of Anton Webern. His scholarly interests include twelve-tone theory and analysis, transformation theory, music composed since 2000, and the music of Fiona Apple.

His latest published work has been explored surrealist automatism in recent music by Thomas Adès and issues of time and memory in works by Hans Abrahamsen. He is also completing a monograph, titled Webern Variations, that explores Anton Webern's influence on contemporary composition. Other publications include a new theory of form describing the twelve-tone works of Anton Webern in Music Theory Spectrum, as well as articles on music, cycles, and mystery in the Journal of Music Theory and Theory and Practice. His most recent work on Adès appears in Thomas Adés Studies, which won the 2022 Outstanding Multi-Author Collection Award from the Society for Music Theory. Prof. Moseley was was also an original co-author of Open Music Theory, a free, open-access textbook that is now in an expanded second edition.  

At UB, Prof. Moseley is the Department of Music's Director of Undergraduate Studies. He designed and teaches in the department’s new undergraduate “Music Theory and Analysis” sequence, which introduces students to fundamentals of tonal music theory alongside studies in rap, rock, and pop, as well as classical music written in the past 20 years. At the graduate level, Prof. Moseley has taught seminars on the History of Music Theory, Transformation Theory, Popular Music Analysis, Sonata Forms, Music, Mind, and Body, Post-Tonal Analysis, and Music Since 2000.   

He has also been very active in both the Society for Music Theory and the Music Theory Society of New York State, serving as chair of the SMT’s Networking Committee, and as a board member and program chair of MTSNYS. He was a co-editor of the journal Theory and Practice and is currently on the editorial board of Music Theory Spectrum. Recently, he created a digital version of Theory and Practice.

Prof. Moseley is very active in the non-profit arts community in Buffalo. He has been the board vice-president at Buffalo String Works, a non-profit based in Buffalo that provides rigorous music instruction and a creative home for refugee, immigrant, and historically marginalized youth. He is also a board member and member of the Balinese gamelan at Nusantara Arts, an Indonesian culture and arts institution.

“Musique automatique? Adesian automata and the logic of disjuncture,” Thomas Adès Studies. (Cambridge: Cambridge University Press, 2021).

• Thomas Adès Studies was a winner of the SMT's Outstanding Multi-Author Collection in 2022.

“Transformation Chains, Associational Areas, and a Principle of Form for Webern’s Twelve-tone Music.” Music Theory Spectrum 41, no. 2 (2019).

“Cycles in Webern’s Late Music.” Journal of Music Theory 62, no. 2 (2018).

“Twelve-tone Cartography: Space, Chains, and Intimations of ‘Tonal’ Form in Anton Webern’s Twelve-tone Music”