In Sextual/Textual Politics (1985), feminist Toril Moi emphasizes that no account can ever be neutral. This exhibition features this lack of neutrality through the intermedia works of women and queer artists. As a practice, intermediality provides new ways of contesting the divisions between art, politics, and society, and, therefore, the ‘inter’ component offers a dynamism that exposes how alterity precedes and decenters subjective and social identities (Intermedialities 2011). This show will not only present works that demonstrate what decentering and disrupting social divisions look like, but it will also narrativize the necessity of dynamic artistic practices as related to identities routinely threatened by nation-state policies and policing. Working between mediums while existing in-between modes of embodiment elicits a unique textuality that is often-times ignored, absent, or entirely misread in the public sphere. With this show, viewers simultaneously experience texts as intimate moments and bold celebration, ritual and performance, and healing and recovery. By the end, patrons will be prompted to reckon with the in-between, the invigorating and frustrating dynamism of such, and reject the possibility that any account can be neutral.
Supported by the James H. McNulty Chair of English, SUNY Buffalo